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In the economic, cultural and spiritual life of the Cor people, praying for rain is an important agricultural ritual, dating back a long time.  This is a traditional ritual, praying for favorable wind and rain, lush crops, buds and buds and flowering.  In addition, the ritual of praying for rain also expressed the Cor's desire to live in the desire to build an increasingly rich and prosperous village, a healthy, happy family. Cor people pray for rain, pray for prosperity The elder of Ho Van Nghia village (76 years old), village 3, Tra Kot commune, Bac Tra My district (Quang Nam), said: “The rain praying ceremony is a prosperous belief festival that takes place during the time. droughts last for months.  For many generations, the life of the Cor people depended heavily on the weather, they believed that the god of blessing would fulfill their wishes if they truly prayed. "  Every year, around June (lunar calendar), after clearing the old fields, the cultivation of upland rice a

For a long time, copper bracelets, silver bracelets and colorful beaded chains ... are not only beauty jewelry of Ca Dong ethnic women but also show ethnic cultural identity. Like other ethnic groups living in the Truong Son mountain range and the Central Highlands region, since ancient times, Ca Dong people have been searching for materials available in nature or through trading and trading to have materials for making jewelry.  For Ca Dong people, jewelry is both an aesthetic need and also contains values ​​in the cultural and spiritual life such as beliefs, religions, customs, festivals ... According to the concept of the Ca Dong people for many generations, the brass bracelet (cot), silver bracelet (nie) worn on the wrist, the neck is the home of longevity, prosperity, luck, and is considered guardian and it becomes a soulmate, witness the ups and downs in the life of every Ca Dong woman.  Once a woman in the family dies, she will bring a brass bracelet, a silver bracelet on her ha

In these days, the Khmer people of the South have prepared many meaningful activities to celebrate the traditional Tet of Chulchamtham.  On this occasion, authorities also paid special attention to the Khmer community. The traditional Choschamam-thm Tet holiday is the most important Tet in the cultural life of the Khmer.  During the 3 days of Tet, from 14-16 / 4, ethnic Khmer people come to the Khmer temples in the area to worship and perform religious rituals, and the pagoda also organizes folk games. space for people to have fun, interact and meet on the occasion of Tet holiday.  In densely populated areas where Khmer people live, the traditional Cholesecham-Tet atmosphere becomes more bustling with many cultural activities of the people having fun on this special Tet holiday. In many provinces and cities in the South of Vietnam, delegations visiting and wishing the New Year of the Khmer people, typical policy families of the Khmer people ... were also held in a warm and joyful atmos

Phu Thick Festival 2018 was held from 18-23/4/2018 (ie 3-8 / 3 / lunar calendar) in Kim Thai commune, Vu Ban district, Nam Dinh province with many traditional activities such as: Lien Chầu Văn singing festival;  the procession of taking samples from Phu Van Cat to Linh Son Pagoda;  torch relay at Phu Tien Huong;  competitions of people flags, cross-language words, pulling the staff ... As usual, the festival attracts tens of thousands of tourists from all over the world to Phu Thick, the center of the practice of Mother Goddess worship. Preserving traditional beauty Phu Thick Festival is a unique folklore activity, contributing to preserving and promoting the values ​​of the worship of the Three Gods of the Vietnamese people, the intangible cultural heritage of humanity. Complex of Phu Mon historical and cultural relics with nearly 20 places of vestiges, temples, pagodas and mausoleums associated with the legend of Mau Lieu Hanh, a symbol in the "Four immortals" of Vietnamese

From May 14 to 16, the joyful atmosphere of the Ramuwan Festival of Cham people following the Ba Ni religion in Ninh Thuan is very exciting.  Across the village roads, alleys, each house is decorated brilliantly.  The festival is an opportunity for the Cham people to reunite with their families, make offerings to their ancestors, eliminate the hatreds, unite the friendship of the neighbors and help each other rise in life. Coming to Thanh Tin village, Phuoc Hai commune, Ninh Phuoc district these days, we feel that the life of more than 1,000 households here has been greatly improved. Over the past few years, besides promoting the spirit of solidarity and mutual help in life, Cham people here also actively participate in the movement "All people unite to build new rural areas and civilized cities";  building a cultural family, implementing a civilized lifestyle and convention of the village, simplifying funerals and festivals;  ensure security and order;  cleaning beautiful vi

When the familiar "tour" to explore the monuments, landscapes in the inner city are valuable overloaded.  Many unique suburban tourism products have become new options for tourists, contributing to the improvement of Hanoi tourism. New imprint for Hanoi tourism When the real scene "Essence of Northern Vietnam" was put into operation and use in Sai Son commune, Quoc Oai district (Hanoi) in November 2017, many tourists were happy because it contributed to the appearance of tourism. Capital calendar adds new vitality.  With the untapped tourism potential and the thickness of Doai culture, Tuan Chau Joint Stock Company performed the real scene "Northern Essence" with a budget of tens of millions of US dollars. It is considered a "visionary" and also a pioneering way for the type of scene in Vietnam. According to director Hoang Nhat Nam, who staged the play "Essence of Tonkin", in many developed countries, the performance of scene plays is n

Located 70km northeast of Lao Cai city, Bac Ha Bazaar has long been known as one of the most unique bazaars, imbued with community activities of the Northwestern highland people, where preserving unique traditional cultural identity values. Bac Ha fair is just one session on Sunday every week and this is the place to exchange, exchange, buy and sell goods of 14 ethnic minorities living together in 21 communes and towns of Bac Ha district. and neighboring districts.  With its own unique features, Bac Ha fair has been voted as one of the 10 most unique markets in Southeast Asia. When the wild chicken had just cried, the boys, the girls, the old men and the whole small group of children went on their way to the market together, the people from the commune had left the previous afternoon.  Every week, the people who come to the market carry heavy loads of mountain produce: wood ear mushrooms, shiitake mushrooms, shan snow tea, honey, wine, forest fruits, brocade clothes, jewelry , orchids,

Hidden behind high mountains in the immense space of thousands, the folk tunes of the Ca Dong people often evoke familiar images, close to their lifestyle, way of thinking, creating cultural value. sustainable tradition, playing a role of strengthening family, lineage, and village relationships, maintaining discipline and order in Ca Dong community, creating a unified whole. The beauty of folk songs of Ca Dong In the folk arts treasure of Ca Dong people, traditional folk tunes are always lyrical, both creative and expressing the sweet, deep, very popular affection that they love.  Folk tunes: Raise, lute, plét, hoi cong, goat oê, to the traditional k'cheo melody born from manufacturing labor and in daily life are no exception, showing the feelings of the Ca Dong people praying for favorable rain and wind, good crops to help the villagers to fill their stomachs, to live in harmony with nature and mountains.  This is also one of the unique cultural products, preserved and promoted by

The 19th time was held, the Culture - Sports Festival (VH-TT) of the mountainous districts of Quang Nam also chose the cultural "color" to exploit and create highlights for the festival's series of activities.  This is an opportunity to gather cultural colors, opportunities to promote, introduce and pass on to young generations who cherish the traditional beauty of their fathers. Brilliant cultural colors According to Mr. Palang Bung - Deputy Head of Culture and Information Division of Tay Giang district, coming to this 19th festival, the locality chose to re-enact the worship ritual in the festival to celebrate the year of giving thanks to the forest.  This is a traditional custom of the Co Tu people in Tay Giang, in honor of the traditional value of the forest thanksgiving festival, to remind the children of the "gift" of nature that the forest god has given.  Although the time of reproduction is quite short, the village elders all try to follow the steps of r

The Red Dao ethnic community in the province has a long history of tradition and culture still preserved and handed down.  In particular, the custom of "san cha cha" (also known as "cha cha") in the wedding is imbued with national identity, demonstrating how to deal with profound human values. The wedding ceremony of the Dao Do ethnic people usually takes place mainly with the groom's family (in case of marriage, the opposite is the case), so the delegation brings the bride to the groom's house on average from 60 to 80 people, sometimes from 100 to 120 people.  The girl's family takes the bride to the groom's house called the "father father" or "father hunt", which means the family union.  The girl's party has informed the boys' party of the number of people in the "group" to prepare for the groom's table.  After taking the bride to the bride's house, the groom's house carries out the ceremony to brin

Water is an indispensable element in human life.  Like other ethnic groups in the Central Highlands, the Jrai, when choosing land to establish a village, the first thing people have to look for water to ensure the lives of the villagers.  Water is the first condition for choosing a land to set up a village.  That's why Jrai people cherish water very much. Prepare worship for the god of water With the concept of "all things spiritual" Jrai people think that there is a god who created the water, which is the water god (Yang Ia).  When finding a water source, the first job before setting up the village was to worship the water wharves with a gift: a black pig, a black chicken and a tea.  After establishing the village, every year the people maintain the worship of the water wharf to thank the god for giving people abundant water to make everyone healthy.  Ceremony of water troughs is usually held once a year in March after pruning rice or December after the harvest is comple

Adult worshiping ceremony of Ede people in two districts of Song Hinh and Son Hoa of Phu Yen province is one of 8 national intangible cultural heritages newly recognized by the Ministry of Culture, Sports and Tourism. Unique traditional cultural values ​​of Ede Phu Yen people Each ethnic group has a history of formation and development over time, along with traditional cultural values ​​preserved and promoted through each period of ups and downs of history in each region and village.  For Ede Phu Yen people, social practices have been deeply rooted in the spiritual life of each of the people here. According to 2017 statistics of the Department of Culture, Sports and Tourism of Phu Yen, Ede people in the area have a population of 24,824 people, living mainly in two districts of Song Hinh and Son Hoa.  In particular, most concentrated in Song Hinh district, mainly in the communes of Ea Bar, Ea Ba, Ea Lam, Ea Bia, Ea Trol, Ea Ly, Hai Rieng town, ... The Ede Phu Yen people follow polytheis

The Dao people call singing activities "Pao dung".  "Dung" in Dao language is a form of singing impromptu songs, singers set their own lyrics and orally or transcribe for generations.  Pao Dung tunes reflect the working life, activities, customs, customs, rituals and thoughts, feelings and aspirations of the Dao people in life. Pao dung singing has no accompaniment, which is improvised and naturally expressed by the individual feelings of the singers, so Pao Dung's tunes are rich in music and imbued with lyrical qualities. Old dung pao is often used in worshiping ceremonies such as: Sacrifice ceremony, funeral ceremony, Ban Vuong worship, sick children worship, new rice ceremony ... have worshipers or people who know the Nom - Dao language shown.  New content is sung by artisans at music festivals, cultural exchanges or festivals, organized by social organizations and government levels. Pao dung dung  is a type of singing which plays a leading role in the Dao fo