2 - Mgidzz

Along with the spoken and written language, traditional costumes are an element of the cultural characteristics of ethnic groups in a crowded community.  In the current context of deep integration, this culture is gradually fading among some ethnic groups in the province, so conservation and promotion are one of the urgent tasks and need solutions. well suited. According to the data of the Provincial Ethnic Committee, by the end of 2017, the population of Lao Cai province was 699,507 people with 29 ethnic groups, of which the Kinh people were 237,792 people and the ethnic minorities were 461,715 people.  Among the 28 ethnic minorities, the Mong has the largest population, with 32,309 people;  there are 5 ethnic groups with only 1 person, namely Ede, Tho, Co Tu, Khang and La Hu;  3 ethnic groups with only 2 people are Gia Rai, Pa Cardn and Gié Trieng. Back to 10 years ago, ethnic minorities in the province still regularly use traditional costumes for community activit...

These days, when coming to Nam Mu village, Phung Sang commune, Tuan Giao district (Dien Bien), tourists will "lose their eyes" in the sight of wildflowers blooming all over the hills and mountains, on the roads leading to the village. ;  More specifically, you can immerse yourself in the cultural space with the indigenous and epic nature in the Pang Phoong Festival of the resistance of the Lo clan, Lo Khun branch. Pang Phoong festival originated from the ancient legend still circulates the unfinished love story between a boy and a gibbon transformed into a girl, in order to honor and people always remember the origin and community connection. Depending on the conditions of the clans, Pang Phoong festival is held every 3-4 years, usually held in October, November and December (lunar calendar) and takes place continuously for many days. Every year, when the red crested flowers bloom in the fields are also the ripe rice season and after the harvest is completed, the ethnic Khang...

Then is a form of folk performance deeply associated with the spiritual life of the Tay ethnic group in Ha Giang.  In particular, Then Bjooc Ma Hot Pot Association in Phuong Do commune (Ha Giang city) has a large scale, peak and fully focuses on Then's art.  With the meaning of asking the king to bless the earth, a peaceful year, favorable rain, wind, abundant crops.  From the long-standing formation, Then Bjoóc Ma Hot Pot has penetrated deeply into the spirit of the Tay people, handed down from generation to generation, forming a beauty in community culture. The abundance of Then depends on the customs and practices of each locality and region.  The Then system is divided into such forms as: Then praying, Then healing, Then fortune telling, Then giving the deceased, Then praying, Then praising and Hot Pot Then.  According to Mr. Then - Nguyễn Văn Chự, who lived in Bản Chang village, Phương Đô commune, said: Then masters of Then Then were possessed by Then maste...

The tomb architecture of Ba Na people is full of yin and yang sympathy and very close to the village.  Because they believe that there is a world of the dead that exists in parallel with the life of the world. Pristine, rustic beauty According to the Ba Na concept, death is to start a new life in another world - the world of ghosts.  Therefore, they carved wooden statues with many different shapes to see off and look after the soul for the dead. The tomb was built with completely rudimentary materials and architecture, only the connection system of the jigs and tying, not the truss and dream system.  Construction materials are only cork and leaves without bricks;  construction tools have only knives and axes without saws ... That gives the tomb a rustic pristine appearance with primitive natural beauty. The tomb of Ba Na people has an architecture like a normal house, including the roof, walls ... the survivors keep all the objects that the dead used in the tomb itse...

Tra Co communal house in Tra Co ward, Mong Cai city, Quang Ninh province has long been considered as a cultural milestone in the border area.  To rendezvous up, on 1/6 of the lunar calendar every year, the people of the North-East region of the North are very excited to join Tra Co communal house.  Located in the middle of the village, the 600-year-old communal house is imbued with Vietnamese architectural style as a milestone affirming the cultural sovereignty and towering in the borders of the Fatherland.  An ancient temple, taciturn and 'brave and long-lived' was once the inspiration for the composer Nguyen Cuong to write the famous song "The roof of the sea village". Tra Co communal house was built in the post-Le dynasty, worshiping 6 emperors who founded the ancient Tra Tra commune.  The communal house was built in the style of a sentence, the roof of flaked roofs, 4 sharply curved corners, the roof facing the East Sea as traditional Vietnamese communal village....